Abdi’s drawers, are displayed upright, poising the drawer as a three-dimensional box that contains varying images and objects. The vertical arrangement displays an option of peeping into, looking at the images as if taken out of concealment, brought out of secrecy to reveal to the viewer the pains and complex feelings Abdi wants to share.
It is, however, important to emphasize that this somewhat surprising encounter between a young Arab victim of the Nakba and the Jewish Holocaust survivor Lea Grundig was marked by their political and experiential common denominator, their commitment to social and political justice, their protest against war and the heavy toll it exacts from humankind.
Artworks include illustrations, paintings and monuments sorted according to years of creation:
Beyond his extensive work in diverse media, Abdi’s iconography marks a long contribution to the Palestinian struggle for recognition and the voicing of Palestinian particular identity, history and suffering as a central theme of his creative work.
“Awareness of the torn motherland”, is an appropriate general expression for Abdi’s creation… However, this “awareness” strives for universal justice, for universal artistic language that is beyond the borders and the issues of identity and nationality: at the center of his creation, the human figure appears time and time again, sketched in a sensitive illustration that is attentive to the suffering of human beings against the waves of history..
Abed Abdi is a prolific artist, having produced a significant body of work that remains largely undocumented
The work you have done in the age of the internet is as monumental as Abed Abdi’s work is monumental in the history of Palestinian art !
Busy life, great artworks, and creative artist