EnglishOfficial Website & Art Archives

Abed Abdi in Sotheby’s first online-only auction for 20th century Middle Eastern art defies COVID-19

  • Success of auction house’s category sale signals hope for sector, confidence in ME art amid virus pandemic

Updated 02 April 2020, Arab News

DUBAI: A month ago, no one would have imagined that their existence would soon be relegated to the place that they call home.

The world has had to learn a lot, and fast. When it comes to the art market, auction houses such as Sotheby’s and Christie’s have proved that the business sector can still operate, albeit remotely, if absolutely necessary.

Mohamed Melehi, The Blacks, 1963 (est. £55,000-65,000). (Supplied)

That proof came from the first-ever online-only auction for modern and contemporary Middle Eastern art, which totaled $2,679,294, well above pre-sale predictions and with 60 percent of lots exceeding their top-price estimates.

After the British government’s March 23 order for citizens to stay at home over the COVID-19 outbreak, Sotheby’s sale of 20th century Middle Eastern art had to convert into an online auction. Bids opened on March 27 and closed on March 31.

Abed Abdi, Don Quichotte riding neither a donky nor a horse, oil on board, 1967 (est. £12,000-18,000). (Supplied)

“What our online sale has shown is that the market for Middle Eastern art is undeniably strong and resilient – a huge vote of confidence in the market,” said Sotheby’s co-head of sale, Mai Eldib.

Of note was a grouping of works by Palestinian artists led by Abed Abdi whose 1967 painting, “Don Quichotte Riding Neither a Donkey nor a Horse,” sold for $17,000, again beating its pre-sale tag of $14,890. Other artists in the Palestine group included Laila Shawa, Jumana El-Husseini, Abdul Hay Mosallam Zarara, Sliman Mansour and Asim Abu Shakra.

Baya, Untitled, 1990, watercolour, gouache and pencil on paper (est. £8,000-12,000). (Supplied)

“I believe that in such challenging times collectors are now investing in solid material and what is better than to invest in modern art?” said Palestinian collector George Al’ama, who gave six works by Palestinian artists, five of which sold.

“The success of these works gives a very optimistic message to Palestinian artists and the entire Middle Eastern art scene during such tumultuous times.”

According to statistics released by Sotheby’s, nearly 30 percent of bidders in the sale were under 40 years old. There was also a 46 percent increase in the number of bidders in respect to the same sale last year. Another promising sign was that 35 percent of bidders were new to Sotheby’s.

“As to what will happen in the future, it is too soon to speak of trends, but already in the past few weeks we have witnessed new models of engagement and commerce come to the fore in a big way, and we should see a concrete shift in the popularity of online bidding,” added Eldib. 

Will online bidding be the new way forward? “It is already the most popular way to bid at Sotheby’s, but we are seeing a wave in new online participants and perhaps this will be established as the norm,” she added.

Let your voice be heard! Share your thoughts and ignite the conversation. Your comments matter!

Recent Posts

On Abed Abdi’s Solo Exhibition “Between Two Worlds”
May 13, 2024By
Solo Exhibition @ Károlyi Palace in Hungary: “Between 2 Worlds”
May 5, 2024By
Abed Abdi’s Public Talk at Berlin’s House of World Cultures
March 25, 2024By
THERE IS NO THERE THERE: Exhibition at Frankfurt Museum of Modern Art
March 25, 2024By
Abed Abdi’s Public Talk at the Albertinum Museum, Dresden
March 18, 2024By
The Foreign Brothers / Berlin Exhibition Review
March 5, 2024By
Echoes of the Brother Countries / House of World Cultures Berlin
February 10, 2024By
Abed Abdi at the Albertinum in Dresden: “I call for the recognition of Palestine as a second state.”
January 5, 2024By
Group exhibition in South Africa looks for peace through Israeli and Palestinian art
December 11, 2023By
November 26, 2023By

Recent Works


Discover more from Abed Abdi

Subscribe now to keep reading and get access to the full archive.

Continue reading