29/09/2012 source Author: kelise soixante-douze ‘Wonderland’ ran simultaneously in two galleries: Chagall Artists House and Grand Art New Gallery of Contemporary Art, both in Haifa, Israel. I saw the exhibition in Haifa Chagall Artists House non 28 September 2012, which comprised of sculpture, photography, multi-media/2-D works, paintings and several film/videos. Research visit to learn more about...Continue Reading

Abed Abdi has been awarded the Israeli ministry of culture and sport’s prize in art and design for the year 2008. Jury’s Statement:  “Abed Abdi is one of the outstanding, and most influential artists on the art and culture of the Arab society during more than forty years. His contribution to the creation of a...Continue Reading

  I am unable to address Abed Abdi’s catalogue from the purely technical and professional composition aspect. The historical profundity of Abdi’s  experience places him in the category of artist-phenomenon. As a consequence of his intellectual and spiritual accumulation of experiences and the interaction between them, it would be more appropriate for me to go...Continue Reading

“Wa ma nasaina” (“We have not forgotten”) exhibition is a personal journey in time, memory andhistory of Palestinians, which constituting an integral part of the life of artist Abed Abdi, who was bornin Haifa.   The exhibition contains paintings and lithographies which were published as photographic copies for 20 years, starting at the end of...Continue Reading

The life of the creative artist is measured by the years of his gift rather than the years of his life. The creative artist Abdi Abdi was born and lived in Haifa, and his roots are rooted in this ancient city and from there he acquired his various arts. Despite his studies in Germany and...Continue Reading

Abed Abdi’s art is chiefly rooted in the autonomous sphere constituted by the language of Arabic literature and the Arabic press. In 1964 he left for art studies in Dresden, where he created many drawings which were published in the Arabic press, portraying refugees in a geographically unidentified space. In Untitled (1968), a caravan of...Continue Reading